Artist Statement
Today's visual world moves fast, possibly too fast. Branding, advertising, fashion, etc. are constantly changing in an effort to keep up with what's new, innovative, and on-trend. Out with the old, in with the new happens on an almost daily basis. As a graphic designer, I've done my fair share of trend-chasing and witnessed it firsthand. In my artwork, I'm interested in slowing things down and taking another look at both the physical and digital remains of discarded visual culture.
Working with different media and found materials, I create compositions that include imagery, iconography, patterns, and typography. These works are my way of observing, addressing, and trying to make sense of personal, family, and cultural identities. I aim to elevate materials that are generally overlooked and discarded in daily life to a level that engages the viewer to take another look and think of them differently. Additionally, I employ characters, logos, and religious iconography as part of a visual language and metaphor for my interactions and associations with them, while at the same time referencing their culturally established significance.
Anytown USA
Mixed media: skateboard, black/neon leopard printed grip tape, metal studs, levels, corner clamps, fabric dye, acrylic, enamel, spray paint, thread, paper, on canvas, wood stain, attached flag holder, American flag, ink , found artwork of Jesus, and McDonald's McRib box
2020
There is a Monster at the End of Every Book
Mixed media: acrylic, paper, velum, ink jet, gold leaf on wood panels, fabric dye, spray paint, canvas, thread, synthetic rope, grommets, rope, and large nail
2019
True Blue
Mixed media: aluminum cans, found polyester bag, polyester tarp, grommets, and zip ties
2019
